Op 35 No 22 in Bm (Segovia Study No 5) - Fernando Sor (1778-1839)

Date: Mon, 25 Dec 1995 11:39 PST
From: rainbow@chatlink.com (Michael and Victor Zefas)
Subject: classical guitar song by Fernando Sor: "Estudio 5 in Bm"
Last update: 8 Dec 2024 (see Notes below)

"Here is study #5 of the famous Twenty. It is in the key of Bm and is in 3/4
time. Generally, each pluck of the string is an eighth note. On the recording
I have, the first note of almost every measure is held just a little longer
and usually there should be an accentuation (rest stroke) on the first note of
each measure. This song, also, needs to be played slow and almost hesitatingly.
This is truly a most beautiful piece. I have been using OLGA a lot lately but
haven't given anything. So I gave this, my first submission to OLGA. This piece
needs to be played with a lot of expression.  If played with [emotion], this
piece becomes soul-touching. Enjoy." - Victor Zefas of Rogue River, Oregon

Estudio 5 in B minor: by Fernando Sor - Allegretto

1  CII   Bm                 Bm                 F#7                Bm
E|------------------|-2-----------2----|-0-----------0----|------------------|
B|-3-----------3----|----3-----3-----3-|----2-----2-----2-|-3-----------3----|
G|----4-----4-----4-|------------------|------------------|----4-----4-----4-|
D|-------4----------|-------4----------|-------4----------|-------4----------|
A|-2----------------|------------------|------------------|------------------|
E|------------------|------------------|------------------|------------------|

5        F#                 Bm                 Em/b9              F#
E|------------------|------------------|-0-----------1----|-2----------------|
B|-2-----------2----|-3-----------3----|----0-----0-----0-|----2-----2-------|
G|----3-----3-----3-|----4-----4-----4-|-------0----------|-------3--------3-|
D|-------4----------|-------4----------|------------------|-------------4----|
A|------------------|------------------|------------------|------------------|
E|------------------|------------------|------------------|------------------|

9        Bm                 Bm                 F#7                G
E|------------------|-2-----------2----|-0-----------0----|------------------|
B|-3-----------3----|----3-----3-----3-|----2-----2-----2-|-3-----------3----|
G|----4-----4-----4-|------------------|------------------|----4-----4-----4-|
D|-------4----------|-------4----------|-------4----------|-------5----------|
A|-2----------------|------------------|------------------|------------------|
E|------------------|------------------|------------------|------------------|

13       A7                 Bm                 F#                 Bm
E|-0-----------0----|------------------|------------------|------------------|
B|----2-----2-----2-|-3-----------3----|-2-----------2----|----3-------------|
G|-------0----------|----4-----4-----4-|----3-----3-----3-|-4--------4-------|
D|-------------2----|-------4----------|-------4----------|-------4----------|
A|------------------|------------------|------------------|-------------2----|
E|------------------|------------------|------------------|------------------|

17        Bm                 F#7                Bm                 F#
E||-2-----------2----|-0-----------0----|------------------|------------------|
B||----3-----3-----3-|----2-----2-----2-|-3-----------3----|-2-----------2----|
G||*-----------------|------------------|----4-----4-----4-|----3-----3-----3-|
D||*------4----------|-------4----------|-------4----------|-------4----------|
A||------------------|------------------|------------------|------------------|
E||------------------|------------------|------------------|------------------|

21       Bm                 F#7                Bm                 F#
E|-------------2----|-0----------------|------------------|----2-------------|
B|-3--------------3-|----2--------2----|-3-----------3----|-2--------2-------|
G|----4-----4-------|----------3-----3-|----4-----4-----4-|-------3----------|
D|-------4----------|-------4----------|-------4----------|-------------4----|
A|------------------|------------------|------------------|------------------|
E|------------------|------------------|------------------|------------------|

25 CII   B7                 Em                 A7                 D
E|------------------|-0----------------|------------------|------------------|
B|-4-----------4----|-------------0----|-2-----------2----|-3-----------3----|
G|----2-----2-----2-|----0-----0-----0-|----0-----0-----0-|----------2-----2-|
D|-------4----------|-------2----------|-------2----------|----0--4----------|
A|-2----------------|------------------|-0----------------|------------------|
E|------------------|-0----------------|------------------|------------------|

29 CII   C                  C                  Bdim7              F#
E|------------------|-3-----0----------|------------------|----------------2-|
B|-1-----------1----|-------------1----|-0-----------0----|-------------2----|
G|----0-----0-----0-|----0-----0-----0-|----1-----1-----1-|-3--------3-------|
D|-------2----------|-2-----2-----2----|-------0----------|-------4----------|
A|------------------|------------------|------------------|----4-------------|
E|-0----------------|------------------|-1----------------|-2----------------|

33 CII   Bm           CII   Bm                 F#                 Bm
E|------------------|-2-----------2----|-0-----------0----|------------------|
B|-3-----------3----|----3-----3-----3-|----2-----2-----2-|-3-----------3----|
G|----4-----4-----4-|------------------|------------------|----4-----4-----4-|
D|-------4----------|-------4----------|-------4----------|-------4----------|
A|-2----------------|------------------|------------------|------------------|
E|------------------|------------------|------------------|------------------|

37       F#                 Bm                 Em/b9              F#
E|------------------|------------------|-0-----------1----|-2----------------|
B|-2-----------2----|-3-----------3----|----0-----0-----0-|----------2-----2-|
G|----3-----3-----3-|----4-----4-----4-|-------0----------|-------3----------|
D|-------4----------|-------4----------|------------------|----4--------2----|
A|------------------|------------------|------------------|------------------|
E|------------------|------------------|------------------|------------------|

41       Bm           CIV   C#7          CIV   F#7                G
E|-2-----------2----|-4-----------4----|-6-----------6----|-7-----------7----|
B|----3-----3-----3-|----6-----6-----6-|----5-----5-----5-|----0-----0-----0-|
G|-------4----------|-------4----------|-------6----------|-------7----------|
D|-0----------------|------------------|-4----------------|-5----------------|
A|------------------|-4----------------|------------------|------------------|
E|------------------|------------------|------------------|------------------|

45 CII   Em6          CII   Bm           CII   F#                 Bm
E|-3-----------3----|-2-----------2----|-2----------------|------------------||
B|----2-----2-----2-|----3-----3-----3-|----2-----2-----2-|-0-----------$----||
G|-------4----------|-------4----------|-------3----------|-----------------*||
D|-2----------------|-4----------------|-------------2----|-0-----------$---*||
A|------------------|------------------|------------------|-2-----------$----||
E|------------------|------------------|-2----------------|------------------||


Notes
~~~~~

measure 29 - last note G (open 3rd string) added;
updated and reformatted by Keiran Earl - 14 Jun 2013
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
measure 27 - chord name changed from Am to A7
measure 31 - chord name changed from C#7 to Bdim7
measure 41 - chord name changed from C# to C#7
updated by weed@wussu.com - 8 Dec 2024
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

CII, CIV, etc... Barre at specific points.
$ indicates a rest to the end of the measure

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