3 Estudios para guitarra: 2. Eco - by Gustavo Servin Tablature by Russell Cook (astropig7@gmail.com) video: https://www.youtube.com/watch?v=AerrolPv8oA - Gustavo Servin Key: (None specified) Tuning: Standard (EADGBe) The dynamics simulate an echo that comes and goes. Preciso | | | | | | | | (4/4) e|----------------------------------|--7---7---7---7---7---7---7---7---| B|--7---7---7---7---7---7---7---7---|----------------------------------| G|*-0---0---0---0---0---0---0---0--*|*-0---0---0---0---0---0---0---0--*| D|*-7---7---7---7---7---7---7---7--*|*-7---7---7---7---7---7---7---7--*| A|----------------------------------|----------------------------------| E|--7---7---7---7---7---7---7---7---|--7---7---7---7---7---7---7---7---| < . . . . . . . . . . . . . > simile 3 | | | | | | | | e|--5---5---5---5---5---5---5---5---|----------------------------------| B|----------------------------------|--0---0---0---0---0---0---0---0---| G|*-0---0---0---0---0---0---0---0--*|*-0---0---0---0---0---0---0---0--*| D|*-7---7---7---7---7---7---7---7--*|*-7---7---7---7---7---7---7---7--*| A|----------------------------------|----------------------------------| E|--7---7---7---7---7---7---7---7---|--7---7---7---7---7---7---7---7---| 5 | | | | | | | | e|----------------------------------|----------------------------------| B|--7---7---7---7---7---7---7---7---|--0---0---0---0---0---0---0---0---| G|*-0---0---0---0---0---0---0---0--*|*-0---0---0---0---0---0---0---0--*| D|*-7---7---7---7---7---7---7---7--*|*-7---7---7---7---7---7---7---7--*| A|----------------------------------|----------------------------------| E|--7---7---7---7---7---7---7---7---|--7---7---7---7---7---7---7---7---| 7 | | | | | | | | e|--0---0---0---0---0---0---0---0---|----------------------------------| B|----------------------------------|--1---1---1---1---1---1---1---1---| G|*-0---0---0---0---0---0---0---0--*|*-0---0---0---0---0---0---0---0--*| D|*-7---7---7---7---7---7---7---7--*|*-3---3---3---3---3---3---3---3--*| A|----------------------------------|----------------------------------| E|--7---7---7---7---7---7---7---7---|--3---3---3---3---3---3---3---3---| 9 | | | | | | | | e|----------------------------------|----------------------------------| B|--3---3---3---3---3---3---3---3---|--3---3---3---3---3---3---3---3---| G|*-0---0---0---0---0---0---0---0--*|*-0---0---0---0---0---0---0---0--*| D|*-3---3---3---3---3---3---3---3--*|*-3---3---3---3---3---3---3---3--*| A|----------------------------------|----------------------------------| E|--3---3---3---3---3---3---3---3---|--1---1---1---1---1---1---1---1---| 11 | | | | | | | | | | | | /.\ /.\ e|----------------------------------|--2-----------|--3-----------|| B|--1---1---1---1---1---1---1---1---|--------------|--------------|| G|*-0---0---0---0---0---0---0---0--*|--0-----------|--0-----------|| D|*-0---0---0---0---0---0---0---0--*|--0-----------|--0-----------|| A|----------------------------------|--------------|--3-----------|| E|--1---1---1---1---1---1---1---1---|--2-----------|--------------|| The interpreter can decide to end the work with either of the two final chords, or they can use both in the order of their choice. Performance Notes * From the sheet music: Focus on the chords, control of dynamics, and the right-hand attack, all with a minimalist aesthetic. This piece was inspired by Villa-Lobos, the minimalist studies of Pedro Julian Florez, as well as Steve Rich and his famous "Electric Counterpoint". * The highest note of the chord in measure 12 is an F in the sheet music, but I think this is an engraving error. === held note p pull-off h hammer-on - tenuto ( arpeggiate ) /.\ fermata ff fortissimo (very loud) f forte (loud) mf mezzo forte (medium loud) mp mezzo piano (medium soft) p piano (soft) pp pianissimo (very soft) mfz mezzo forzando (between mf and f) sub. subito (suddenly) rall. rallentando (slow down) riten. ritenuto (immediately slow down) ligero y expresivo - light and expressive repetir hasta desaparecer - repeat while reducing the volume to nothing <5> natural harmonic - play open string, touch point on 5th fret <7> natural harmonic - play open string, touch point on 7th fret <9> natural harmonic - play open string, touch point on 9th fret <12> natural harmonic - play open string, touch point on 12th fret [5] artificial harmonic - play indicated fret, touch point on 17th fret